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Free Run 
- The not so secret diary of a master of wine

People often ask what's it like tasting wine for living. The short answer is that often it's fun. There are plenty of fascinating places and people to visit and of course fabulous and dreadful wines to try. This is an attempt to bring some of it to life given the enormous amount of positive feedback that I got from my diary of an Australian trip with a group of MWs that was published in Food & Wine magazine. - a copy of which is in the articles section of this web site.
 
July and August 2003 - Summer Slowdown
 
Friday & Saturay 22nd & 23rd August 
The hall and living room are piled high with boxes of samples and it's time to taste them before the kids have no space left to play. It takes much, much longer than expected, what with sorting into like minded groups and copying names and prices off labels or opening them and eventually tasting. What I thought would take a 2 or 3 days  will take twice that at least by the time I've typed all the notes.

Still the neighbours are delighted as I distribute the leftovers to friends and family. Even I can' hope to drink a couple of hundred wines.

Thursday August 21st 
An invitation from the importers Woodford Bourne to a tasting of Ornellaia at Ely Wine Bar. A famous and famously expensive wine that you don’t get to try everyday so this is not an opportunity to be missed. 

Ely has been around three or four years now and was a really exciting addition to the Dublin dining scene when it opened as there were so few places that really did wine well and in particular wine by the glass seriously in my opinion. Thankfully others have opened since but because of its iconoclastic status it has a place in my heart and I imagine others too.  

That said though, as nice as the people there are, I do find it a little pretentious, as if the customers are being judged as much as the wine. Perhaps there are just too many people wearing ties. But this kind of atmosphere made it the perfect choice of venue for a tasting of a luxury Italian wine. When wine costs this much an element of are you good enough for the wine creeps in. Are you clever and experienced enough to appreciate its beauty or are you a ‘I know what I like’ type? ‘Emperors new clothes’ was a phrase that kept flitting through my mind as the tasting progressed. I thought I caught a whiff of bull in the air. 

The deeply tanned and suave sales manager Alexander Belson hosted the show and she talked of Marchese Lodovico Antinioris’s passion and commitment to quality, the exceptional terroir. There was even a handout with phrases like ‘Brainstorming every day under a clear sky.'

I was reminded of the fine gold thread used to sow the emperor’s coat, so fine that mere mortals couldn’t see it. I never met a winery representative that didn’t claim that their wine was borne of dedication, passion, talent and exceptional dirt.  When they espouse this it’s as if they think it’s a point of difference and that all the others just churn there’s out like tins of baked beans. I wish producers of expensive wine would just say something like “Yeah, we thought we’d made a pretty good wine and so we reckoned we’d flog it for as much as we possibly could especially after Parker or the Wine Spectator gave it 95 points. There’s a market out there for conspicuous consumption and we aim to tap it.” 

The tasting started with Poggio Alle Gazza, their sauvignon Blanc based wine and we were informed that this was its last vintage as the vineyard is being converted to red wine production. No bad idea I’d say as the average Chilean reserve sauvignon at half the price is a better wine. Next up was La Volte, their accessibly priced red, although €18-20 is luxury priced to most of us. At first I thought it might be faulty – with a touch of Bret but it got better and the acidity was painfully sour. Better with food I was told. Better with something else in my glass altogether, I felt. 

Then the centrepiece, two vintages, 1999 and 2000, of Ornellaia and its second wine Le Serre Nuove, both blends of cabernet sauvignon, merlot and cabernet franc. For a while there, I thought I too could see the beauty of the emperor’s coat. They were both stunners, most preferred the 1999, but I liked the riper fruit of 2000. Finally, the icing on the cake, the crown , Masseto, a 100% merlot that should retail for around €170. All around me people cooed and gushed. I felt like the little boy who finally said out loud, the emperor has no clothes on. It was big in a bruiser sort of way. The label said 14.5% a.b.v, but it felt like more as the alcohol burnt my tongue. I’d rather have six bottles of top Barossa shiraz or decent Pomerol any day. 

Comparisons with Pétrus made by some are nonsense. Pétrus is rich but balanced and elegant. It’s fashionable to knock big wines and Parker’s love of them but I generally like them too, however not this. It was so concentrated as to be painful, completely unsubtle and over the top. If you plant Merlot and it has ripened by late august to 14.5% to 15% potential alcohol then I think you’ve planted it in the wrong place. Great wine is made on the margins, when the when grapes just manage to ripen properly. Otherwise Riverina and North Africa would be the world’s finest grape growing region and they’re not. They grow it in Pomerol as it’s an early ripener and they struggle with cabernet, not because they want a wine so thick you could stand a spoon in it. 

As I said, a tasting not to be missed, for a variety of reasons.

 

Wednesday August 6th
12pm Dublin - Radisson hotel for a tasting by Super Valu of some of their New World wines. They've pushed the boat out - smart hotel, fancy lunch, free bag, colour booklet that must have cost a fortune and for just three producers with about 20 wines between them! Daft really, I think ham sandwiches in a more simple, more central hotel would have been fine. Are we journalists really so callow and malleable that our opinions and propensity to write nice things can be bought with a fancy lunch? No, don't answer that. I certainly hope mine can't. 

Nugan Estate from Australia was a new one to me and the wines were just fine and fairly priced. Aresti, their exclusive Chilean was even better and much more interesting than any bland own label that I've had from UK supermarkets and then there was Neil Joubert from S. Africa. Good and dull in equal measures. Pinotage is hard to get right and he hasn't quite got it but the shiraz and chardonnay were good enough.

Found myself sitting next to Ernie Whalley, the new editor of Food and Wine magazine. This could have been tricky as the new broom has been reviewing his budgets and so amongst several changes he's dropped my column. I decide that life is too short to hold grudges as he's only doing his job and balancing the books, so I chat and smile through teeth that are only a little clenched. Oddly, having just sacked me he professes to like my writing style and has passed my name on to someone else looking for a new columnist.  Just as well I hadn't laid into him and that I hope the revamped magazine sinks and him with it, which had been my initial wounded gut reaction.  Actually I like Ernie and to prove it here's a link to this website www.forkncork.com.

2.30pm Skip dessert and race off with a couple of bottles in my bag to taste on air on News Talk 106fm.
 

Monday August 4th (bank holiday)
2pm My birthday, so several of the samples I've been collecting from importers for the guide book were consumed by myself and family and friends during a seriously extended late lunch, but I managed to make notes on them all (well nearly all), even late into the evening.
 
 
July
A quite time with early part spent holidaying in France. This didn't stop me spending far longer in wine shops and supermarket wine aisles than my wife would have liked. Much of the rest of my time is spent writing the next edition of the Wine republic annual guide. 
 
 
 
 
 
 
Last updated
14-01-06 06:08 PM


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